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Lawrence, W. J., ‘Sensation Scenes’,
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—,
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—,
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City Detective
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Mackenzie, Compton,
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McLevy, James,
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—,
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—,
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—, The Diary of an Ex-Detective (London, Ward & Lock, 1860)

[Martineau, Harriet], ‘A Death-Watch Worth Dreading’,
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—,
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—,
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—,
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—,
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[—],
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—,
Biographical and Descriptive Sketches of the Whole Length Composition Figures, and other Works of Art, Forming the Unrivalled Exhibition of Madame Tussaud …
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—,
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[Ward, John], ‘Report from the Select Committee on Metropolis Police Offices …’,
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Murray’s Magazine,
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[Wills, W. H.], ‘The Modern Science of Thief-taking’,
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1, 1850 Wills, William, ‘Essay on the Rationale of Circumstantial Evidence’,
Analyst,
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—,
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New Monthly Magazine,
99, 1853, pp.327–42

Secondary sources
 

Allan, Janice M., ‘A Lock without a Key: Language and Detection in Collins’s
The Law and the Lady, Clues: A Journal of Detection,
25, 1, 2006, pp.45–57

Allen, C. J. W.,
The Law of Evidence in Victorian England
(Cambridge, Cambridge University Press, 1997)

Allen, Emily, Theater Figures: The Production of the Nineteenth-century British Novel
(Columbus, Ohio State University Press, 2003)

Altick, Richard D.,
Evil Encounters: Two Victorian Sensations
(London, John Murray, 1987)

—,
The Presence of the Present: Topics of the Day in the Victorian Novel
(Columbus, OH, Ohio

State University Press, 1991)

—,
Victorian Studies in Scarlet
(London, J. M. Dent & Sons, 1972)

Anderson, Patricia, The Printed Image and the Transformation of Popular Culture, 1790–1860 (Oxford, Clarendon Press, 1991)

Andrews, Malcolm, Charles Dickens and His Performing Selves: Dickens and the Public Readings
(Oxford, Oxford University Press, 2006)

BOOK: The Invention of Murder
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