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Authors: Isabel Allende

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BOOK: Forest of the Pygmies
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The market was in a poor neighborhood surrounded by luxuriant vegetation. The narrow, unpaved streets were choked with people and vehicles: motorcycles carrying three and four people, broken-down buses, hand-pulled carts. A vast variety of the produce of earth and sea, and of human creativity, was for sale there, from rhinoceros horns and golden fish from the Nile to contraband weapons. The members of the group went different ways, after agreeing to meet one hour later at a predetermined street corner. That would be easier to say than do, because there was such tumult and uproar that it would be difficult to get their bearings. Fearing that Nadia would get lost or be run down, Alexander took her by the hand and they went off together.

The market was a showcase of African races and cultures: desert nomads; slender horsemen on elegantly outfitted steeds; Muslims with elaborate turbans and partially veiled faces; women with burning eyes and blue designs tattooed on their faces; naked shepherds, their bodies painted with red clay and white chalk. Hundreds of children raced barefoot among roaming packs of dogs. The women were spectacular. Some were wearing dazzling starched kerchiefs on their heads that from a distance resembled the sails of a ship; others' heads were shaved clean and bead collars covered their necks from shoulder to chin; some were enveloped in yards and yards of brilliantly patterned cloth, while still others were nearly naked. The air was filled with incessant jabbering in several languages, along with music, laughter, horns, and the cries of animals being slaughtered on the spot. Blood streamed from the butchers' tables, soaking into the dusty ground, while black buzzards circled close overhead, waiting to seize the discarded guts.

Alexander and Nadia wandered through that fiesta of color, marveling, pausing to bargain over the price of a glass bracelet, savor a corn cake, or snap a photo with the cheap camera they had bought at the last moment in the airport. Suddenly they were nose to nose with an ostrich restrained by a rope around one foot, unknowingly awaiting its fate. The bird, much taller, stronger, and more aggressive than they could have imagined, observed them from on high with infinite disdain, and then, without warning, bent its long neck and pecked at Borobá, who was riding atop Alexander's head and clinging firmly to his ears. The monkey twisted away to avoid the lethal beak and began screeching as if he were crazed. The ostrich, beating its short wings, charged at them as far as the rope would allow. By chance, Joel happened along at that very moment and captured the frightened expressions of Alexander and the monkey as Nadia waved her arms to fend off the unexpected attacker.

“This photograph is going to make the cover of
International Geographic
!” Joel shouted.

Fleeing from the haughty ostrich, Nadia and Alexander rounded a corner and suddenly found themselves in a section of the market devoted to witchcraft. There were practitioners of good magic and bad magic—fortune-tellers, fetishists, healers, poison brewers, exorcists, voodoo priests—all offering their services to clients under squares of canvas stretched on four poles for protection from the sun. They came from many tribes and belonged to an assortment of cults. Never dropping each other's hands, the two
friends wandered the alleyways, pausing before tiny animals in jars of alcohol; desiccated reptiles; amulets to protect against the evil eye and love sickness; medicinal herbs, lotions, and balms to cure ills of body and soul; powders for dreams, for forgetting, for restoring life; live animals for sacrifices; necklaces to drive away envy and greed; inks made from blood for writing to the dead; and, last but not least, an enormous array of exotic items to mitigate the terror of life.

Nadia had seen voodoo ceremonies in Brazil, and she was more or less familiar with their symbols, but for Alexander this area of the market was a fascinating world. They stopped before one stand different from the others: a conical straw roof that supported a circle of plastic curtains. Alexander bent down to see what was inside, and two powerful hands grabbed him and pulled him into the hut.

An enormous woman was seated on the ground beneath the straw ceiling, a mountain of flesh crowned by a voluminous turquoise kerchief. She was dressed in yellow and blue, and her bosom was covered with necklaces of many-colored beads. She introduced herself as a messenger between the world of the spirits and the material world, a seer and voodoo priestess. On the ground beside her was a cloth painted with designs in black and white. She was surrounded by various carved wood figures of gods and demons, some wet with the fresh blood of sacrificed animals, others studded with nails, and before them lay offerings of fruits, grains, flowers, and money. The woman was puffing on some black leaves rolled into a tight cylinder, and the thick smoke brought tears to the young people's eyes. Alexander tried to free himself from the hands that had immobilized him, but the woman fixed her bulging eyes on him and let out a deep roar. Alexander recognized the voice of his totemic animal, the voice he heard when he was in a trance and his body took on a different form.

“It's the black jaguar!” Nadia exclaimed at his side.

The priestess forced the American boy to sit before her. She pulled a worn leather sack from her bosom and emptied its contents onto the painted cloth: white shells, worn smooth with wear. She began to mutter something in her language, without relinquishing the cigar, which she held clamped between her teeth.


Anglais?
English?” Alexander queried.

“You come from a distant place, far away. What do you want of Má Bangesé?” she replied in a comprehensible mixture of African words and English.

Alexander shrugged his shoulders and smiled nervously, looking at Nadia out of the corner of his eye to see if she had any idea what was going on. She pulled a couple of bills from her pocket and put them in one of the gourds that held the offerings of money.

“Má Bangesé can read your heart,” said the gigantic woman, speaking to Alexander.

“And what is in my heart?”

“You are looking for medicines to cure a woman,” she said.

“My mother isn't sick any longer; her cancer is in remission . . .” Alexander murmured, frightened, not understanding how a witch in a market in Africa could know about Lisa Cold.

“At any rate, you fear for her,” said Má Bangesé. She shook the shells in one hand and tossed them like dice. “The life or death of that woman is not in your hands,” she added.

“Will she live?” Alexander asked anxiously.

“If you go back, she will live. If you do not, she will die of sadness, not illness.”

“Of course I'm going back home!” the youth protested.

“Nothing is sure. There is much danger, but you are strong of heart. You must use your courage, otherwise you will die and this girl will die with you,” she declared, pointing to Nadia.

“What does that mean?” Alexander asked.

“A person can do harm, and a person can do good. There is no reward for doing good, only satisfaction in your soul. There are times you must fight. You will have to decide.”

“What am I to do?”

“Má Bangesé sees the heart; she cannot show the way.”

And turning toward Nadia, who had sat down beside Alexander, she placed a finger on her forehead, between her eyes.

“You are magic, and you have the vision of birds; you see from above, from afar. You can help him,” she said.

She closed her eyes and began to rock back and forth as sweat poured down her face and neck. The heat was unbearable. The smells of the market filled their nostrils: rotted fruit, garbage, blood, gasoline. Má Bangesé let forth a guttural sound that came from deep in her belly, a long, hoarse lament that rose in tone until the ground shook, as if it came from the depths of the earth. Dizzy and perspiring, Nadia and Alexander were afraid they were going to faint. The air in the tiny, smoke-filled space became unbreathable. More and more befuddled, they wanted to leave but they couldn't move. They were shaken by the vibration of drums; they heard dogs howling, their mouths filled with bitter saliva, and before their incredulous eyes the enormous woman melted away, like a burst balloon, and in her place emerged a fabulous bird with splendid yellow and blue plumage and a turquoise-colored crest. This bird-of-paradise unfolded the rainbow of its wings, wrapped Nadia and Alex inside, and flew away with them.

Nadia and Alexander were launched into space. They could see themselves like two pinpoints of black ink lost in a kaleidoscope of brilliant colors and undulating forms mutating at a terrifying speed. They were transformed into Roman candles, their bodies exploding into sparks. They lost any notion of being alive, or of time or fear. Then the sparks fused into an electric vortex, and again they saw themselves as two minute points caroming among the designs of the fantastic kaleidoscope. Now they were two astronauts, hand in hand, floating in starry space. They could not feel their bodies but they had a vague awareness of movement and of being connected. They clung to that contact, because it was the one manifestation of their humanity; as long as they were holding hands they were not totally lost.

Green, they were immersed in total greenness. They began to plunge earthward like arrows, and when impact seemed inevitable, the color diffused, and instead of crashing they floated down like feathers, sinking into surreal vegetation, into the warm, moist, cottony flora of another planet. Dissolving in the mists of that atmosphere, they metamorphosed into transparent medusas. In that gelatinous state, lacking bones to give them form, or strength to defend themselves, or voices to call out, they confronted the violent images passing in rapid succession before them—visions of death, blood, war, and a destroyed forest. A procession of ghosts in chains marched before them, dragging their feet among the carcasses of large animals. They saw baskets filled with human hands, and children and women in cages.

Suddenly they were once again themselves, in their familiar bodies, and then before them, emerging with the terrifying clarity of the worst nightmares, they saw a threatening three-headed ogre, a giant with the skin of a crocodile. The heads were different: One had four horns and the shaggy mane of a lion; the second had no eyes, was bald, and breathed fire through its nostrils; the third had the skull of a leopard, with bloody teeth and the blazing pupils of a demon. All three had gaping jaws and iguana tongues. The monster clumsily thrust its colossal paws at them, trying to claw them. Its hypnotic eyes bored into them, its three muzzles spewed a thick, poisonous saliva. Again and again Alex and Nadia eluded the ferocious jabs, unable to flee, feeling as if they were mired in a swamp. They evaded the monster for a time that seemed infinite, until suddenly they found they held spears in their hands and they began blindly, desperately, to defend themselves. When they subdued one of the heads, the other two came at them, and if they succeeded in driving back those two, the first returned to the attack. Their weapons broke in the struggle. Then at the final instant, when they were sure to be devoured, they made a superhuman effort and turned into their totemic animals—Alexander into a jaguar and Nadia an eagle—but before that formidable enemy, the ferocity of the first and the wings of the second were impotent . . . Their cries were lost in the bellowing of the ogre.

“Nadia! Alexander!”

The voice of Kate Cold brought them back to the known world, and they found themselves sitting exactly as they had been when their hallucinatory voyage began: in the market in Africa, beneath the straw roof, facing an enormous woman dressed in yellow and blue.

“We heard you yelling. Who is this woman? What happened?” Alexander's grandmother asked.

“It's nothing, Kate. Nothing at all,” Alexander managed to get out, his head reeling.

He didn't know how to explain to his grandmother what he had just experienced. Má Bangesé's deep voice seemed to reach them from the dimension of their dreams.

“Stay on your guard,” the seer warned them.

“What happened to you?” Kate repeated.

“We saw a monster with three heads. It was invincible . . .” Nadia murmured, still dazed.

“Stay close to each other. Together you can save yourselves; separated you will die,” said Má Bangesé.

The next morning the
International Geographic
group flew in a small plane to the vast nature preserve where Michael Mushaha and his elephant safari awaited them. Alexander and Nadia were still feeling the impact of their experience in the market. Alexander concluded that the rolled leaves the sorceress was smoking contained a drug, but that did not explain the fact that Nadia and he had had identical visions. Nadia did not try to rationalize what had happened; for her that terrible voyage was a source of information, a way of learning, as one learns from dreams. The images were sharp in her memory; she was sure that at some moment she would have to call upon them.

The plane was piloted by its owner, Angie Ninderera, an adventuresome woman overflowing with contagious energy, who expanded on their flight plan to make a couple of detours and show them the majestic beauty of the landscape. One hour later they landed in an open field a couple of miles from Mushaha's camp.

Kate was disenchanted with the modern facilities of the safari; she had expected something more rustic. Several pleasant and efficient African guides wearing khaki uniforms and carrying walkie-talkies attended the tourists and looked after the elephants. There were several tents, as large as hotel suites, and a pair of light wood constructions that housed the common areas and kitchens. The beds were hung with white mosquito netting, the furniture was bamboo, and zebra and antelope skins served as rugs. The bathhouses had chemical latrines and ingenious warm-water showers. The camp had an electric generator that operated from seven to ten at night; the rest of the time they managed with candles and oil lamps. The food, prepared by two cooks, was so tasty that even Alexander, who on principle rejected any dish whose name he couldn't spell, devoured it. As a whole, the camp was much more elegant than most of the places Kate had stayed during her years as a professional traveler and writer. She decided that such luxuries detracted from the safari; she would not forget to criticize them in her article.

BOOK: Forest of the Pygmies
12.1Mb size Format: txt, pdf, ePub
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